In this innovative collaborative ethnography of Italian-Chinese ventures in the fashion industry, Lisa Rofel and Sylvia J. Yanagisako offer a new methodology for studying transnational capitalism. Drawing on their respective linguistic and regional areas of expertise, Rofel and Yanagisako show how different historical legacies of capital, labor, nation, and kinship are crucial ...(展开全部)

In this innovative collaborative ethnography of Italian-Chinese ventures in the fashion industry, Lisa Rofel and Sylvia J. Yanagisako offer a new methodology for studying transnational capitalism. Drawing on their respective linguistic and regional areas of expertise, Rofel and Yanagisako show how different historical legacies of capital, labor, nation, and kinship are crucial ...(展开全部)

Collaborative Damage is an experimental ethnography of Chinese globalization that compares data from two frontlines of China's global intervention—Sub-Saharan Africa and Inner/Central Asia. Based on fieldwork on Chinese infrastructure and resource-extraction projects in Mozambique and Mongolia, the book provides new empirical insights into neo-colonialism and Sinophobia in the ...(展开全部)

Collaborative Damage is an experimental ethnography of Chinese globalization that compares data from two frontlines of China's global intervention—Sub-Saharan Africa and Inner/Central Asia. Based on fieldwork on Chinese infrastructure and resource-extraction projects in Mozambique and Mongolia, the book provides new empirical insights into neo-colonialism and Sinophobia in the ...(展开全部)

In this book, sociologist William I. Robinson offers a theory of globalization that follows the rise of a new capitalist class and a transnational state. Growing beyond national boundaries, this new class comprises a global system in which Japanese capitalists are just as comfortable investing in Latin America as North Americans are in Southeast Asia. Their development of globa...(展开全部)

威廉·I.鲁宾逊，美国加利福尼亚大学社会学系教授。他的研究领域是宏观和比较社会学、全球化、政治社会学、拉美和第三世界等。

With the increasing popularity of the Chinese film industry, a large amount of foreign captial has been invested in the productions. Internationalization on this scale at both the production and consumption levels has raised the question of what constitutes "Chinese cinema". In this book the authors discuss the central topic of a national cinema and analyze the emergence of "tr...(展开全部)

斯文·贝克特（Sven Beckert）是哈佛大学的美国历史莱尔德·贝尔教授，教授现代资本主义政治经济、美国资本主义历史、镀金时代美国史、劳工历史、全球资本主义课程。贝克特还是哈佛大学资本主义研究项目的联合主席，也是韦瑟黑德全球史计划的联合主席。贝克特写作范围广泛，涉及资本主义的经济、社会和政治历史。他是美国学术协会理事会会员，约翰·西蒙古根海姆纪念基金会的研究员。

斯文·贝克特（Sven Beckert）是哈佛大学的美国历史莱尔德·贝尔教授，教授现代资本主义政治经济、美国资本主义历史、镀金时代美国史、劳工历史、全球资本主义课程。贝克特还是哈佛大学资本主义研究项目的联合主席，也是韦瑟黑德全球史计划的联合主席。贝克特写作范围广泛，涉及资本主义的经济、社会和政治历史。他是美国学术协会理事会会员，约翰·西蒙古根海姆纪念基金会的研究员。

斯文·贝克特（Sven Beckert）是哈佛大学的美国历史莱尔德·贝尔教授，教授现代资本主义政治经济、美国资本主义历史、镀金时代美国史、劳工历史、全球资本主义课程。贝克特还是哈佛大学资本主义研究项目的联合主席，也是韦瑟黑德全球史计划的联合主席。贝克特写作范围广泛，涉及资本主义的经济、社会和政治历史。他是美国学术协会理事会会员，约翰·西蒙古根海姆纪念基金会的研究员。